Kendra Donovan might be young, but she’s making a name for herself at the FBI. That is, until something goes horribly wrong on a raid, and Kendra wakes up in the hospital. Set on revenge, Kendra strikes out on her own, determined to bring her own brand of vigilante justice to the person responsible for killing her team members. But just as she’s catching up with her man, something unexplainable happens: Kendra is thrown back in time, to the year 1815. Trapped in a world she doesn’t know or understand, Kendra must figure out how to get home…if a murderer in the past doesn’t find her first.
A Murder in Time is a hard book to summarize, as you might be able to tell from the plot synopsis above; there’s so much going on in this book that it’s hard to do it justice in a few sentences. The bottom line is that the second I heard about this book, I knew it was for me. Lady main character? FBI? Murder? Time travel? This was 100% up my alley, even if I never expected a book combining all these themes. I was a little worried at how McElwain would handle it—if it would be too silly to really be enjoyable—but I shouldn’t have worried. I was hooked on this novel from beginning to end.
The novel starts off a little slow, as the reader gets to know Kendra and her place within the FBI; this is necessary background, but it doesn’t feel as though the story really starts taking off until Kendra sets out on her own. At this point, things start moving at a breakneck pace, and it doesn’t let off much over the course of the book. Kendra’s grappling with being out of her own time, unsure of how or if she’ll get home, trying to fit in, railing against how women are treated in this world, grappling with the class divides…and oh yeah, solving a murder that happens while she’s in the past. There’s a lot going on, and the author juggles it all very well.
You don’t expect a fun murder mystery to be especially thought provoking, and yet A Murder in Time is. By setting the bulk of the novel in the past, McElwain is able to discuss issues of class and feminism, providing a social commentary through Kendra on how much has changed, but more importantly, what hasn’t. The social undertones never get in the way of plot, as the author makes sure they’re such an integral part of Kendra’s character. This novel really does have it all.
The second I finished A Murder in Time, I was immediately on social media asking if there would be a sequel because I fell in love with this world that McElwain created. Kendra is such a great character—capable, smart, funny—but she isn’t perfect. I loved getting to know her, and I hope that we do see that sequel (in development, but no guarantees) soon!